明清时期浙江戏曲思潮的演变

Development of Thoughts on Opera in Zhejiang during the Ming and Qing Dynasties

明清时期,浙江的戏曲发展不但在创作上涌现了大批优秀作品,而且在理论上独树一帜。这些戏曲理论集中反映了当时戏曲的繁荣深度和广度,从徐渭到李渔,从《南词叙录》到《闲情偶寄》,较为集中地论及戏曲语言的本色当行、戏曲曲意和曲律的辩证,戏曲主题的尚情论形成了三股戏曲思潮,即本色思潮、双美思潮、尚情思潮。这三股戏曲思潮基本体现了明清时期浙江地区戏曲发展的状况,在一定程度上也反映了中国戏曲在明清时期的发展脉络。

During the period of Ming and Qing Dynasties , traditional Chinese operas developed in Zhejiang with the emergence of a large amount of excellent creative works and unique theories.Those theories mainly reflected the depth and width of thriving operas at that time , discussing in a concentrated way the striking features of drama language , meanings of tunes , principles of writing and singing.Three trends of thought came into being including natural color ,“dual beauty” and en-couragement of sentiment.The three trends basically showed the development of operas in Zhejiang and that of all Chinese operas then.