元代文人画“不求形似”理论和实践的发展探究

Research on the Development of the Theory and Practice of “Not for the Shape”in Literati Painting in the Yuan Dynasty

苏轼正式提出了文人画的概念,书画结合中追求自我情感和"不求形似"的表达,文人画"不求形似"的理论呼声随着文人画家队伍的不断壮大愈来愈高,更多的文人画家在创作中躬身践行。元代是文人画发展兴盛的特殊时代,更加追求"不求形似""逸气""意趣"、自我情感的抒发,但"不求形似"理论的崛起、高涨和实践却不是同步发展的。

The concept of literati painting was put forward by Su Shi,in which the express of self feelings and ＂Not for the shape＂was constructed in the combination of writing and painting. The demand of＂Not for the shape＂theory development is more and more necessary with the expansion of the literati painter team,and more and more literati painters set an example in painting. The Yuan Dynasty is a special period in which the self feelings of＂Not for the shape＂,graceful,and interesting was sought,but the rise,the upsurge and the practice of the＂Not for the shape＂theory was not synchronous.