“在自己的回声里,找到了隐居的万物”——《锋刃》诗群20年片论

Finding the Whole Hermit World in My Own Echo——Dedicated to the Twentieth Anniversaries of Blade and Peer Poetry Comminities

在民刊《锋刃》面世20年之际,回顾《锋刃》诗群诗歌创作实绩,探讨诗群、社团等诗歌团体对当代诗人个体及诗歌现象的影响,显得尤为重要。在诗艺探索方面,哑石与李龙炳表现尤为突出,哑石之诗表现为一种富有张力的和谐,而李龙炳则忠实地用他的艺术感觉维护其诗的纯净与晦涩。在意象建构方面,画家孙磊和楚子擅描绘令人耳目一新的意象。孙磊之诗简洁冷峻,诗歌具有了承接"一段历史"的强度与厚度;楚子则用泛滥的语词操控着血色盛宴和肉身狂欢,以恐怖之景与残酷之美冲击着神经末梢,书写着厌世的愤怒。作为《锋刃》诗群凝聚力的源泉和诗歌精神核心,吕叶、孙文、史幼波、朱杰、唐朝晖、吴德彦等诗人立足于生活,以其真挚虔敬的声音,用精神漫游者的姿态,唱出了对灵魂彼岸的颂歌。凭借在诗歌精神上的超拔高蹈及诗歌技艺方面的自觉精进,《锋刃》及其诗群已然成长为既有鲜明的理论主张,又有较为丰富创作实绩支撑的一片峰峦。

Upon the twentieth anniversary of the non - official poetry magazine Blade, it is of vital importance to review the poetic achievements by Blade and its peer poetry communities, and to probe into the influence of poetry groups and communities in current poetic individuals and phenomena. YA Shi and LI Long - bing make especially outstanding achievements in poetic art exploitation. While YA Shi＇s poems display a rich and yet harmonious tension, LI Long - bing faithfully maintains his artistic sensations through poetic purity and opaqueness. When it comes to image construction, SUN Lei the painter and CHU Zi depict remarkably refreshing images. SUN Lei~ poems are elegantly simple and crystal cold, with a strength and thickness of ＂transiting a period of history＂. CHU Zi manipulates bloody feasts and flesh carnivals with feverishly overflowing words, and bounds the reader＇s nerves with scenes of horrors and cruelties, so to express his rage of world - weariness. As the source of poetic bounds and the center of poetic spirits, Lv Ye, SUN Wen, SHI You - bo, ZHU Jie, TANG Chao - hui, WU De - yan and others settle their feet down in real life and eulogize the soul yonder with their sincere piety and nomadic spirit. With their poetic and spiritual zenith as well as conscious enhancement of artistic skills, Blade and its peer poetic communities have already evolved into a distinctive school with clearly defined theories and rich compositions.