摘要
黄宾虹的山水画是我国传统山水画的集大成者,表面上看,画面蓬头垢面,但在纷乱复杂的画面后面,更多的是他向我们陈述了他的人生,传达他对绘画的观点,讲解老庄哲学的精髓。他的绘画向后来者传递了他的山水世界的众多的绘画符号。黄宾虹绘画的面貌是"黑团团中墨团团",黑、密、厚、重,厚到透不过气来,密到透不进风去;其次,他用笔的千变万化,乱草一堆,但笔笔分明,每一笔都严格遵循着绘画的法度。
Huang Pin-hung' s landscape painting can represent the traditional Chinese landscape painting. On the surface, the pictures seem unkempt, but at the back of the chaotic pictures, his life is in large part shown to us and his views on painting are conveyed, interpreting the essence of Lao-tzu and Chuang-tzu' s philosophical ideas. Many symbols in his landscape world are passed on to successors via his paintings. His paintings are thick and heavy in colors ; secondly, techniques of drawing shown in his paintings are various. Seemingly, his paintings are disordered, but each stroke of his drawing strictly follows the rules of painting; thirdly, his pictures depict the state of "action through non-action" shown in Taoism.
出处
《扬州教育学院学报》
2014年第1期33-36,共4页
Journal of Yangzhou College of Education
关键词
黄宾虹
山水画
面貌
法度
Huang Pin-hung
landscape painting
looks
rule