摘要
苏轼是北宋时期的书法家、文人画家,其对禅宗有着深厚的修养,并以对禅宗的感悟来观照书画创作,作有大量蕴涵禅宗哲理的书画题跋。受禅宗"游戏三昧"哲理的影响,苏轼以游戏的态度来从事书画艺术创作;受禅宗"淡泊人生"思想的影响,苏轼推崇平淡天真的艺术品格;在禅宗"不役于物"思想的影响下,苏轼主张在书画收藏和继承传统创作方法中要保持主体精神的自由。
SU Shi is a calligraphist and literati painter in Northern Song Dynasty （960 - -1127） who had a profound learning of Zen and left numerous postcripts of calligraphy and painting with Zen thoughts. In his creation, SUShi a-dopted an attitude of playfulness influenced by ＂samadhi＂. Besides, he was in favor of the plain and unaffected style under the influence of Zen＇ s ＂detachment＂. Moreover, he proposed to keep the spiritual freedom in collecting and in-heriting traditional methods of calligraphy and painting with Zen＇ s ＂aparigraha＂.
出处
《贵州大学学报（艺术版）》
2014年第1期33-36,共4页
Journal of Guizhou University Art Edition
基金
徐州工程学院校科研项目"禅宗与中国书画"[项目编号:XKY2012617]研究成果之一
关键词
禅宗
墨戏
平淡天真
自由创作
Zen
Ink -Game （Impromptu Painting）
plain and unaffected
free creation
