摘要
曹禺与赖声川的戏剧作品在相互参照中,昭显各不相同的时代文化背景、创作者的人生经历及创作方式形成于作品的不同特质,而二人作品中共有的成功基因与中国元素又呈现异中之同。比较研究不仅打开了发现二者戏剧特质的另一扇视窗,同时也引申出戏剧如何在时代中安身立命这一现实问题。
The paper is an attempt to examine the similarities and differences in the works of drama by Cao Yu and Lai Shengchuan, including their respective cultural backgrounds, career paths and methods of writing. The comparative study not only opens a new window on the two dramatists＇ creative features, but also points to the problem of how dramas make themselves relevant to modern times.
出处
《首都师范大学学报（社会科学版）》
CSSCI
北大核心
2014年第2期105-112,共8页
Journal of Capital Normal University：Social Science Edition
基金
福建省社科规划项目"中国当代话剧剧场艺术的生成机制与发展路径"(2011B093)阶段性成果
关键词
戏剧类型
结构
悲喜
雅俗
types of drama
structure
grief and joy
refinedness and vulgarity
