“月”境品读——刘天华《月夜》与德彪西《月光》音乐美学分析

“Moonlight”——An Analysis of A Moonlit Night by Liu Tianhua and Debussy's Moonlight in Terms of Music Aesthetics

《月夜》和《月光》的创作分别处在中西音乐变革期,有着丰富的创新精神。两者通过二胡和钢琴两种完全不同的乐器诠释作品,中西"月亮文化"的差异影响了两首乐曲的审美意境和曲式。从音乐美学的角度讲,两者蕴含着不同的音乐文化底蕴,以中西方对月亮不同的诗学追求,表达了不同的"月"境。

Two kinds of moonlight created in Chinese and western musical age were in the spirit of innovation. Due to different cultures between China and the west the erhu and the piano were used in order to make musical interpretation, and they thus made an appreciable difference to music aesthetic conception and form. In terms of music aesthetics, the two ＇ moonlights＇ contained rich music culture connotation, displayed different poetic pursuits and expressed different moods of ＂moonlight＂.