摘要
文章借鉴格尔茨的"文化-解释"逻辑,用实地考察方法书写了岜沙苗民的生态文化特质民族志。岜沙苗民通过不同时代不同主题的历史记忆进行主流文化的书写,所在社区的香樟亭实际上是一种文化性建构事务。岜沙苗民的影视重现,体现他们从边缘走向主流的抗争和文化营销方式,使得都市人有了认识西南山区边缘人群的机会。
With Reference to Clifford Geertz's cultural interpretation'logic, with the on-the-spot investiga- tion method, the paper describes ethnography of ecological culture trait of Bia sha people. Bia sha people, through the historical memories of different eras and different themes, write mainstream culture, with Camphor pavilion, in fact, a kind of cultural construction. The films to reproduce Bia sha people reflect their struggles and culture mar- keting from fringe to mainstream, which provides urbanites with the chance to know the marginal group in the southwest mountainous areas.
出处
《鄱阳湖学刊》
2014年第2期97-104,共8页
Journal of Poyang Lake
基金
国家社会科学基金项目"遗产地铭刻时代痕迹与旅游发展研究"(12CJY088)
北京市教育科学"十二五"规划项目"提升我校旅游管理专业创新人才培养水平及创新模式研究"(CGA12100)
北京市优秀人才培养资助项目"北京文化多样性研究:逻辑
案例与政策"(2013D005019000005)的阶段性成果
关键词
岜沙苗民
生态文化特质
格尔茨
地方性知识
Bia sha people
eco-cuhural traits
Clifford Geertz
local knowledge