摘要
春秋战国时期诸国纷争,激烈的社会变动呈现出空前活跃的局面,反映在美术上就是以现实生活为关注对象。河南汲县出土的水陆攻战铜鉴和四川成都百花潭出土的宴乐渔猎水陆攻战纹壶上的纹饰是此时最具代表性的创新性纹饰。通过对"水陆攻战"纹样的产生、来源及其对我国绘画艺术发展产生的影响所做的探讨,可以看出战国时期的青铜器使人的形象摆脱了被动与束缚,这是春秋战国时期人文主义空前活跃的时代精神的体现,对之后的中国绘画艺术产生了深远影响。
In the Spring and Autumn and Warring States Period , all states ware in war , dramatic social change appeared as an active situation .Reflected in the art was the concern to real life .The bronze mirror with decoration of Attack on Land and on Water unearthed in Jixian County , Henan Province, and the pot decorated with Feasting, Hunting and Fishing and Attack on Land and on Water unearthed from Baihua Tan , Chengdu, be-come the most representative of the innovation patterns .Through the study of decoration patterns of the two bronze wares, we can see that it has a profound influence on the Chinese painting afterwards .
出处
《洛阳师范学院学报》
2014年第4期136-138,共3页
Journal of Luoyang Normal University
关键词
水陆攻战
青铜
金银错
线刻
Attack on Land and on Water
bronze
interlace of gold and silver
line engrave