《文镜秘府论》与齐梁以来的文论发展--以与《文心雕龙》的比较为基础

Bunkyohifu Ron and the Literary Theory Development Since Qi and Liang Dynasties ——By comparison with Wen Xin Diao Long

齐梁以来,从声律开始,兴起了对文学语言组织规律的细致探讨。因为声律具有极端的疏离情志而关注于细致写作技巧的特征,所以,逐渐使文学语言组织规律的探讨不再以情志中心的反复强调为拘缚,而获得了相对独立的探讨空间,并推动了文学本体意识的进一步确立。这一发生于齐梁之际、并延续到唐代的中国文论的重要发展,在《文镜秘府论》中得以充分体现。因为有了《文心雕龙》的比照,《文镜秘府论》的有关特征可以看得更为清楚。而对齐梁到唐文学思想之一脉相承的历史事实,目前研究界的认识还不够充分。

Since Qi and Liang Dynasties, beginning from the research on sound meter, there had been a surge of research into the detailed rules of literary linguistic organization. As sound meter is detached from feeling expression, so the research into the rules of literary linguistic organization got its independent space, and not constrained by the repeatedly stressing on the centre of feeling expression, which pushed forward the real establishment of literary ontological consciousness. The important Chinese literary theory development, which happened at Qi and Liang Dynasties and lasted to Tang Dynasty, is reflected thoroughly in Bunkyohifu Ron, and becomes clearer with comparison with Wen Xin Diao Long. However, the researching community has not fully realized the historical truth which the literary thoughts come down in one continuous line from Qi and Liang Dynasties to Tang dynasty.