摘要
莫言在《四十一炮》中刻绘了形形色色"吃"的众生相,在这种刻绘中寄托了作者对上世纪九十年代以来农村经济改革中的社会与人性的批判。而借助"吃"来寓言这一做法,是中国古代传统在莫言小说中的回响。由此可以看出,传统文化与文学,是莫言小说的重要根源之一。
In the novel named as Forty One Bombs, there are a lot of images which have the burning desire for eating. And there is a spiritual sustenance of criticism in these stories of eating about society and life, which is one of the traditional Chinese culture influences on Moyan＇s fictions. Thus, we can draw a conclusion that traditional Chinese culture is one of the source that Moyan＇s novels depend on.
出处
《中国文学研究》
CSSCI
北大核心
2014年第2期119-123,共5页
Research of Chinese Literature
关键词
《四十一炮》
“吃”
传统文化
Forty One Bombs
stories about eating
traditional Chinese culture
