期刊文献+

Imitation for Creation's Sake:Parody as a Technique in Learning Advanced English

Imitation for Creation's Sake:Parody as a Technique in Learning Advanced English
下载PDF
导出
摘要 This paper describes parody as an effective teaching and learning practice in Advanced English course offered to English major juniors and seniors. The objective of this course is to help heighten students towards a more advanced level of English proficiency, and its main preoccupation is doing intensive analyses of carefully selected texts which amount to well-established classics and are characterized with linguistic complexity. To enhance students' learning, we embed in the course a practice of parody, which here refers to the creation of an imitative work of an original written work, usually with an attendant comic effect. Upon the completion of each module, students are assigned the task of parodying part of the text, which involves recasting its overall content while retaining formal framework, thus offering students a means of re-paying homage to the excellence of the text. Writing a parody demands great artistry in shaping a creatively simulative work, in fitting exotic content into a local form, and in transplanting new experiential logic into old textual order. The parodies are then peer-reviewed as well as instructor-reviewed. Close observation and survey show that the students have displayed heightened motivation in engaging themselves in the practice and they have benefited greatly from it. Parody proves a particularly fruitful technique in teaching and learning Advanced English, and may also be useful in teaching English writing, since it entitles students to a very unique mode of savoring and wielding the artistic power of the English language.
作者 YANG Zhu
机构地区 Southwest University
出处 《Sino-US English Teaching》 2014年第5期329-341,共13页 中美英语教学(英文版)
关键词 PARODY Advanced English ARTISTRY IMITATION 英语专业 模仿 学习 技术 清酒 同行评审 艺术性 学生
  • 相关文献

参考文献20

  • 1Austen, J. (1813). Pride andprejudiee. Whitehall: T. Egerton.
  • 2Bakhtin, M. M. (1981). The dialogic imagination: Four essays. Austin, TX: University of Texas Press.
  • 3Bakhtin, M. M. (1984). Rabelais and his world. Bloomington: Indiana University Press.
  • 4Bateson, G. (1953). The position of humor in human communication. In H. yon Foerster (Ed.), Cybernetics, ninth conference (pp. 1-47). New York: Josiah Macey Jr Foundation.
  • 5Coates, J. (2007). Talk in a play frame: More on laughter and intimacy. Journal of Pragmatics, 39, 29-49.
  • 6Dentith, S. (2000). Parody. London: Routledge.
  • 7Gardner, R. C. (1988). Attitudes and motivation. Annual Review of Applied Linguistics, 9, 135-148.
  • 8Genette, G. (1982). Palimpsestes: La litt~rature au second degr~ (Palimpsests." Literature in the second degree). Paris: Editions du Seuil.
  • 9Graesser, A., Golding, J. M., & Long, D. L. (1991). Narrative representation and comprehension. In R. Barr, M. L. Kamil, P. B. Mosenthal, & P. D. Pearson (Eds.), Handbook of reading research (Vol. 2, pp. 171-205). White Plains, NY: Longman.
  • 10Gross, J. (Ed.). (2010). The Oxford book of parodies. Oxford: Oxford University Press.

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部