康德“崇高”思想在中外女性艺术形象上的体现——论海丝特、乌苏拉和王葡萄三位女性的崇高与伟大

The Female's Artistic Images under Kant's “Lofty” Aesthetics:Hester,Ursula and Wang Putao

德国著名哲学家康德"论崇高"对构建崇高和完善人类心灵结构有着深远的理论意义和现实意义,其美学思想对中外文学创作中女性形象的塑造产生了重大影响。《红字》中的海丝特、《百年孤独》中的乌苏拉和《第九个寡妇》中的王葡萄,这三位女性身上所折射出的勇敢、尊严以及对大善大爱的坚持所凸显的母性崇高感正应和了康德的崇高美学思想,令人印象深刻,发人深思,在一定程度上具有现实的启蒙价值。

The theory of “the Sublime” by Immanuel Kant is of profound theoretical significance and practical significance in the construction of the sublime and human mind .Its aesthetic ideology has a great effect on the shaping of female images in Chi-nese and foreign literary creation .The three women of Hester in The Scarlet Letter, Ursula in One Hundred Years of Solitude and Wang Putao in The Ninth Widow, shows female bravery , dignity and their persistence of good and love .Their maternal loftiness ech-oes Kant’s aesthetic ideology, and is of some enlightening value .