摘要
"70后"诗歌文本中凝聚了诸多诗人对城市情境采撷、勾勒乃至描绘的共性视线交集,诗人多以当代都市为触媒,探询深藏于城乡文化之间的个体经验。一些诗人以怀念"文化乡土"的姿态,抒写对城市文化经验的不适应感,对其带给现代人的诸多束缚和制约进行揭露与批判;还有一类诗人能够放松心态,将城市视为文化母体和诗意诞生的源泉,在"物欲"和"孤独"的日常性主题中纵情诗意,捕捉凡俗生活中的瞬间心理经验,走向真正意义上的"个人化写作"。
The poetry of 70s' poets condenses a large number of poets who gather, draw even portray the common view intersection. Most of poetrs think of the contemporary urban and the media which explore the deeply--hiding and individual experiences between the cultural of urban and rural area. Some poets write the un--adaptable to the urban culture experience on a position which make memories on "cultural countryside" and emerge and criticize that it brings about a series of restriction and constraint to the modern people. The other poets release their motion and treat cities as the source of poetry and matrix. They write poetries as much as they like on "physical" and" lonely" daily theme and catch the instantly psychological experience during the daily lives, consequently, coming to the real means of the "personal writing".
出处
《湛江师范学院学报》
2014年第2期63-67,共5页
Journal of Zhanjiang Normal College
基金
中央高校基本科研业务费专项资金资助项目(Nkzxb1469)