德化瓷塑艺术经典的建构过程:基于人类学的视野

Constructing Process of Dehua Porcelain Classical Art: Anthropological Perspective

从艺术人类学的角度看,艺术经典是由多种社会力量在特定的历史条件下建构的产物。经典并非经久不变,时人会根据自身需要重构经典。20世纪50年代以来,德化政府、文化工作者通过编纂志书等方式,将以前寡闻少知的何朝宗先后塑造为优秀匠人、陶瓷艺术家、文人艺术家,以此寻求地方工艺发展的合理性和可能性。在地方政府、社会、经济、文化界等各方"共谋"下,何朝宗及何派艺术被确立为德化陶瓷艺术的经典。

From the perspective of anthropology of art, classical art is the product of construction by many social powers under the specific historical condition. Classic is not constant, people in different periods reconstruct them according to their own needs. Since 1950, Dehua government and cultural workers have been compiling He Chao-zong as an excellent craftsman, ceramic artist, and writer with chronicles, in order to seek the rationality and possibility of local technology development. With the ＂conspiracy＂ of local society, economy, culture, and art, He Chao-zong and his He＇ s school of art were established as the classical of Dehua ceramic art.