从杨绛作品中的底层群像看其“隐者”的文化心理和人格内涵

On Cultural Psychology and Personality Connotation of the Bottom Images in Yang Jiang's Essays

杨绛描写建国后至改革开放前后的系列作品,反映了底层群像的文化特征和心理特点。这些群体碎片既让后人看到这些底层人物的生存境况,也看到作者本人的文化心理与人格内涵。

The essays by Yang Jiang from the founding of new China to the period of reform and opening up reflect the cultural psy- chology and personality connotation of people living on the bottom line of socity, the fragments of which let people not only see their living condition, but also the author＇s cultural psychology and personality connotation.