楚国丝绸纹样中的几何形骨架探析

Exploration and Analysis on Geometrical Skeleton in Silk Pattern in Chu State

以大量的楚国丝绸纹样为研究对象,按照纹样内部骨架的差异对其分类,归纳了其中存在的两类几何形骨架,即菱形骨架和矩形骨架,分析了这两类骨架在画面中的各种视觉形式和作用。研究表明:菱形骨架和矩形骨架提高了楚国工匠的工作效率,在画面中营造出了较强的秩序感,帮助纹样形成了整体的装饰风格,传达了楚人的审美情趣。楚国丝绸纹样在当时达到了前所未有的艺术高度,是楚人集体智慧的结晶,这种以几何形骨架定位的方法与20世纪以来现代设计领域所使用的网格不谋而合,在当代众多设计领域中被广泛运用。

With a lot of silk patterns in Chu State as research objects, this paper summarizes two geometrical skeletons-rhombic skeleton and rectangular skeleton through classification according to differences of internal skeleton in pattern and analyzes various visual forms and functions of both skeletons in frame. The research shows that rhombic skeleton and rectangular skeleton have improved the work efficiency of craftsmen in Chu State, created a strong sense of order in frame, helped pattern form an overall decorative style and conveyed the aesthetic taste of Chu people. Silk patterns in Chu State reached an unprecedented art height at that time and was the crystal of wisdom of Chu people. Such method of positioning with geometrical skeleton happens to coincide with grid used in the field of modern design since the 20^th century and is widely applied in numerous contemporary design fields.