符号学视角下的舞蹈传播探析——以文山州马关县苗族舞蹈为例

On Popularizing Dance from the Perspective of Semiotics——A Case Study of the Miao Dance of Maguan County of Wenshan Prefecture

从舞蹈传播的概念出发,以文山州马关县苗族舞蹈为例,运用符号学理论,论述其核心领域、符号活动和传播模式以及舞蹈的文化代码,试图从一种新的研究视角解读舞蹈传播所体现的文化内涵,凸显马关县苗族舞蹈在民族文化传播领域中的价值,以期更好地保护马关县苗族舞蹈,促进马关县苗族非物质文化遗产的保护与开发。

The art of dance has been an information carrier to express the emotions and thoughts of the people . Its occurrence and development means constant upgrading feelings and ideas among people . Acting as a medium between the sender （choreographer and performer） and human action , dancers send a message by dynamic dance movements ,facial expressions and finally the recipient （or its audience） understand and respond to their dancing ,thus they complete the communication process .Dance art communication is an important way to realize its social function and the indispensable role .Based on the analysis of the concept of the dance popularization , the author of this paper takes Miao Maguan County of Wenshan prefecture dance as an example and discusses its core areas , symbolic activity , and the mode of communication and dance culture communication code from the perspective of semiotics .The author reflects from a new perspective on the cultural connotation of the dance spread ,highlights the Maguan County of Miao dance in the dissemination of national culture in terms of its value in order to better protect Miao dance of Maguan County and protect and develop Miao intangible cultural heritage of Maguan County .