1905:电影《定军山》新探

Some Thoughts for the First Film of China

《定军山》的诞生,具有丰厚的历史价值、文化内涵与现实指向,对它的研究不能仅限于目前学界所示的中国电影(戏曲片)滥觞的具体的感性描摹。《定军山》的诞生,有其艺术发展规律和文化传播规律的可能性与必然性,是民族文化心理结构、艺术雅俗转换机制与京剧的兴衰历程、电影的艺术本性及特定时代和文化景观诸因素共同作用下的必然产物。《定军山》的诞生,不仅是电影的中国本土化的特殊范本,更是中国电影的民族化的已然"存在"——奠定了中国独有的"影戏"传统,包含了迄今为止中国电影的全部遗传基因和文化代码,不仅指涉到新时期"电影与戏剧离婚"等电影观念的大讨论,也为新世纪以来的国产大片提供了历史的镜鉴与启迪。

The generation of ＂Dingjunshan＂, has a rich historical value, cultural connotation and reality , the current study of it should not be limited to the sensible description in the academia of Chinese movie （ theatrical film）. The gen- eration of ＂Dingjunshan＂ and the law of its artistic development and propagation have cultural possibility and inevitability of the psychological structure of the national culture. Art Yasu conversion mechanism and the rise and fall of opera histo- ry, nature and art f＇dms and cultural landscapes and such specific era factors together have the inevitable outcome. The generation of ＂Dingjunshan＂, is not only a special template Chinese localization of the film, it is China＇ s nationalization of the film already ＂exist＂ with the Chinese unique ＂shadow play＂ tradition, including the Chinese film to date all genet- ic and cultural codes. The new era not only refers to the great debate ＂movie and theater divorce＂ and other films con- cepts, but also provides a historical view mirror and inspiration for the domestic large new century.