摘要
在《包法利夫人》中,福楼拜用"客观而无动于衷"的笔,刻画了众多人物,描绘了一幅生动形象的外省风俗画卷。透过表面冰冷淡漠的语言,分析《包法利夫人》中众多的男性形象,从这些男性与爱玛的关系中可以窥视人物背后福楼拜的视野和身影,从而探究福楼拜笔下失落的男性世界。
In Madame Bovary, Flaubert portrayed various characters and drawed us a picture oflife in small town objectively and indifferently. Through the words of surperficial cold indifference, anal-ysis of male figures in Madame Bovary, and these men's relationship with Emma, we can peep Flau-bert's vision and figure, so as to explore Flaubert's lost male world.
出处
《台州学院学报》
2014年第1期20-25,共6页
Journal of Taizhou University