摘要
"诗中有画"是中国古代诗学的经典批评术语,围绕着它,生发出了诗画转化说、诗画相异说和诗画一致说。究其本意,苏轼所认为的"诗中有画",是指诗歌要像绘画一样具有相似写意风格,并且这种艺术风格是由绘画主导产生。围绕着"诗中有画"的争论,反映了不同时代对诗歌形与神关系的不同看法,是一种话语运作的结果。
"Pictures in poetry"is the ancient Chinese poetics' classic critical terms,around it,formed inter- conversion theory, distinction theory and consistent theory between poetry and painting. The original intention of"pictures in poetry"by Sushi is poetry should be like painting with the same enjoyable style,and this style of art is produced by painting mainly. Debates around"pictures in poetry"reflects the different views on the relationship between form and spirit of poetry. It is the result of discourse operation.
出处
《南昌航空大学学报(社会科学版)》
2014年第1期64-68,124,共6页
Journal of Nanchang Hangkong University(Social Sciences)
基金
2013年天津市哲学社会科学研究规划课题"经史传统与阶层互动:中国古典小说观念生成研究"(TJZW13-025)
关键词
“诗中有画”
形与神
天工
苏轼
"pictures in poetry"
form and soul
Tian-gong
Sushi