影响的焦虑与超越的诉求——学术批评语境中的《中国电影发展史》

The Anxiety of Influence and the Demands of Transcendence——The History of Chinese Film Based on the Academic Criticism Context

新时期以来,随着中国电影研究学术队伍的不断壮大、成熟和研究方向的日益细密,电影学者站在学术的立场和使用严谨的学科话语,质疑《发展史》中所确立的中国电影史研究模式,并就其中存在的不足和缺陷提出各自的观点。从整体上来看,学者们大致从电影史观、史料以及撰写者和亲历者的回忆性文章对《发展史》进行更为细致深入的讨论。此时,学术批评的目的并不仅限于《发展史》,而是着眼于推动中国电影史研究的深化。

In the coming era,in the wake of the continually growing of academic team of Chinese movie and increasingly intimate of research,based on the academic background and the academic words usage,the researcher challenges the research model of Chinese movie history constructed in The Phylogeny,and presents the opinion focused on the defect and disadvantage. Overall,the research discussed The Phylogeny deep and minutely with the sense of movie history,the history documents and the biography and related papers,etc. Considering,the purpose of academic criticism is not only limited in The Phylogeny,but also the promotion of deep research of Chinese movies history.