摘要
文章以1990年以来中国动画电影音乐为对象进行研究,指出其在"市场语境"和"产业语境"的新环境中,随着中国动画电影进入市场、走上产业化道路,获得新发展,不仅有《宝莲灯》、《勇士》、《梁山伯与祝英台》等优秀作品,展示了新阶段中国动画电影音乐创作的新理念,而且以风格的多样性、功能的多样化、音画关系的类型化、审美趣味的多层化等特征,彰显出新特色。同时,也指出中国动画电影音乐创作存在"明星效应音乐"、"罐头音乐"等不足之处,要在全球动画竞争中续写"中国学派"辉煌,应高度重视发挥动画电影音乐的功能,使其在继承传统和借鉴中创新。
Based on music used in Chinese Animation since 1990, this paper suggests that such works enjoy prom- ising development in a market- oriented and industrialized society. Music from animated movies like Magic Lotus Lantern, Warriors, and Butterfly Lovers not only demonstrate creative approaches, but diversified styles, functions, types and aesthetic tastes. Through analyzing a few shortcomings in the genre ( such as " star - effect " and "canned" music), the author suggests that maintaining traditional approaches, alongside innovative concepts, is the best way to keep this school of Chinese animation brilliant and competitive within the global animation industry.
出处
《星海音乐学院学报》
2014年第2期85-94,共10页
Journal of Xinghai Conservatory of Music
基金
国家社会科学基金艺术学一般项目"中国动画电影音乐发展研究"(09BD034)
关键词
中国动画电影音乐
市场语境
产业语境
音画关系
Chinese Animation Music
the Context of Market
the Context of Industry
the Relation of Music andPictures