摘要
秧歌戏与扭秧歌并非同一艺术样式。作为省、市两级非遗保护项目,广灵秧歌目前的生存环境并不乐观,仍有成为"博物馆艺术"的危险。自上而下的文化体制改革,并未有效地改善广灵秧歌当下面临的濒危态势。对待诸如广灵秧歌这类传统文化的态度如何,才是更为内在也是更为本质的关键所在。
Yangko drama and dancing are not the same artistic style. Guangling Yangko is a non-heritage protection project of provincial and municipal levels, but its living environment is not optimistic. It is still in danger of becoming a kind of " Art in Museum ". Top-down reform of cultural system has not effectively improven the endangered situation of Guangling Yangko. The attitude towards the traditional culture such as GuangLing Yangko is more intrinsic and essential.
出处
《山西大同大学学报(社会科学版)》
2014年第2期21-24,共4页
Journal of Shanxi Datong University(Social Science Edition)
关键词
广灵秧歌
扭秧歌
文化体制改革
博物馆艺术
Guangling Yangko
Yangko Dancing
reform of Cultural System
art in museum