摘要
御窑厂既是瓷业生产空间,又是国家权力的代表和象征。明清两代御窑厂神灵崇拜的演变不仅仅是国家权力更替在景德镇的反映,也是瓷业信仰文化认同的体现。景德镇是典型的手工业移民城市,在社会秩序建构和文化交流中,为了维护自身优势和取得地缘文化认同优势,社会各方移民展开利益博弈,以期取得在神灵信仰中的话语权,并保证自身利益。
The imperial ceramic plant,a producer of ceramics,was also the symbol of state power.During the Ming and Qing dynasties,the worship at the imperial plant changed.This change is not only an embodiment of regime shift in Jingdezhen,but is also an effort of cultural identification through worship.Jingdezhen is a typical city of immigrants known for its handicraft industry.In the social order construction and cultural interactions,different immigrant groups rivaled against each other for their voice in the worship and their interests in order to ensure their own advantages and predominance in the regional culture.
出处
《陶瓷学报》
CAS
北大核心
2014年第2期213-218,共6页
Journal of Ceramics
基金
国家社科基金(编号:13BKS059)
关键词
文化功能
社会控制
地缘
文化认同
cultural function
social control
geographical relations
cultural identification