从修辞手法中的描绘、意境及其构成谈西南少数民族图案中的骨骼

Frames in National Patterns of Southwestern China Analyzed with Rhetoric Devices

针对民族图案过程的复杂性和多样性的特点,分析了其图案的文化背景、元素发展历史以及制作过程等方面,探讨了彝族、苗族以及布依族在其发展和演变中所赋予的祖先崇拜、图腾崇拜、爱情信物以及祈求五谷丰登等方面的特点。由此引入修辞学的相关理论,结合了比喻、回文、比拟以及省略等形式上的修辞格理论,提出了其图案中的骨骼构成形式的定义,分析了图案中骨骼构成形式,呈现了民族图案在其发展、传承以及保护过程中问题的特殊作用,同时,也为民族图案建立图案数据库指明了方向。

Focusing on the complexity and diversity of national patterns of Yi, Miao and Buyi nationality, this paper dis-cusses their ancestor worship, totem worship, love tokens and prayer for good harvest by analyzing the cultural back-ground, development history and production process of these patterns. This paper also proposes definitions of the framesin these patterns, analyzes their structures, and demonstrates the special role they play in the development, inheritance and preservation of national patterns by applying related rhetoric theories, such as, parable, anadiplosis, comparison and omission. Moreover, this paper points out the direction to establish the database of national patterns.