由“墨分五色”看文人画的审美

An Analysis on Aesthetics of Literati Paintings from “Chinese Ink Presenting Five Colors”

中国文人画主要艺术审美特征由诸多因素组成,其中对墨的运用是外在的载体表现形式,通过墨色的变化来解决视觉表现中的层次关系是中国文人画家历来追求的法则,这种法则通过单色的墨来进行视觉传递是有着文化渊源的。文人画的这种素色审美特质多受中国主流文化的内涵影响。通过墨分五色的审美取向的表征可以看出,对文人画审美取向的产生主要是由中国文化脉络中的儒家、道家和释家对艺术的审美观一家或者各家之间相互作用而形成的。

The main aesthetic features of Chinese literati paintings are composed of a number of factors, in which the use of ink is the external carrier manifestation. The solving of hierarchical relation of visual representation through ink changes is the rule that Chinese literati painters have always pursued, that is, to pass a vision by monochrome ink has cultural origins. This plain color aesthetics quality of literati paintings is affected by the connotation of Chinese mainstream culture. Through the characterization of aesthetic orientation of colored ink, we find that the generation of the aesthetic orientation of literati paintings is formed by interaction between sects such as Confucianism, Taoism and Buddhism in Chinese cultural context.