摘要
随着影视的产生,电影作为一种再现现实的艺术形式,在反映现实的同时也成为了表现女性的生存状态、精神状态和传播女性主义思想的重要媒介。本文以女性主义视角,通过《革命之路》、《克莱默夫妇》、《律政俏佳人》三部好莱坞影片中三个时间段的女性形象分析美国女性在不同时代变化中的进步和固守,勾画美国女性主体意识从失落到回归的轨迹,旨在对女性主义发展和两性关系的和谐问题引发思考。
Along with the film and television production, film as a kind of realistic reproduction of art form, in reality at the same time as the performance of the state of women's existence, mental state and disseminate femi-nist thought important media.This paper,from the feminist perspective, through the"road to revolution","Mrs. Cra-mer","Legally Blonde"three films in three time of the female image in the United States of America changes draws the outline of the United States women's subject consciousness from loss to return to the track, aimed at the devel-opment of feminism and the harmony of the two genders caused reflection.
出处
《吉林师范大学学报(人文社会科学版)》
2014年第3期16-19,共4页
Journal Of Jilin Normal University:Humanities & Social Science Edition
基金
吉林省基础教育教学研究课题"中学语文阅读与欣赏中的学生素养培养问题研究"(编号:JLSJY2012Z003)
关键词
好莱坞电影
婚恋题材
现代女性
地位嬗变
Hollywood movie
the subject matter of marriage
modern female
status changing