摘要
《文心雕龙》倡导的宗经思想具有强烈的文化复古性,表现为显性的宗经思想和隐性的宗经思想两种形式。显性的宗经思想以宗经为口号,但没有触及文化复古运动回归轴心时代文化精神的实质;隐性的宗经思想则是轴心时代文化精神在刘勰身上的自然流露,主要表现为积极入世、匡俗正讹与崇尚中和、追求新变的文化精神。
Wen Xin Diao Long (a series of books about Chinese literature criticism theory by Liu Hsieh ) has an obvious culture retro because of its advocation of emphases on ancient classics ,which embody two forms :dominant one and reces-sive one .The dominant emphasis is shown just by slogans which do not touch the spirit of culture returning to the axle time in the retro movement ,and the recessive emphasis flows naturally the culture spirit of the axle time from Liu Hsieh . The spirit can be sum up active going into the society ,rectifying the secularities and errors and going after the changes .
出处
《四川文理学院学报》
2014年第3期78-81,共4页
Sichuan University of Arts and Science Journal
关键词
《文心雕龙》
宗经思想
文化精神
复古
Wen Xin Diao Long
emphases on ancient classics
culture spirit
retro