摘要
西洋油画中自文艺复兴以来,创立了以真实再现自然物象为基本准则的写实方法,几百年来更多的注重于形的描绘而相对忽视艺术家的主观流露。对形与意命题的研究,离不开对油画艺术理论的整理和挖掘,尤其要对写形与写意之间的关系进行具有当下视野的分析和阐述,梳理出国内外油画艺术的趋势是由重写形向重写意方向流变发展,因为绘画中"意"的终极目标是表现人的本体价值。
From the Renaissance,the painters had created an exact reproduction of natural images as the basic criteria.In these several hundred years,people focused more on depicting the shape and neglected the artists' psyche.Studying the Proposition of reality(form) and imagery can not be separated from collating and analyzing the art theory,especially for the relationship between reality(form) and imagery in the current view,to tease out the tendency of oil painting art from expressing realistic to showing a quality of imagery,as the imagery can show the value of human.
出处
《江苏技术师范学院学报》
2013年第1期52-55,共4页
Journal of Jiangsu Teachers University of Technology
关键词
写实油画
写意性
演变
视野
realistic oil painting
impressionistic
change
current view