摘要
文章以奥地利现代作家胡戈·冯·霍夫曼斯塔尔的两篇报刊文艺栏作品(短篇小说)为研究对象。第一部分着重分析作品《两幅画》里对艺术观赏的时空排演以及画面表现与画作标题、绘画描述与文本写作之间的张力关系;第二部分探讨《一封信》里的语言危机、感知危机以及由此引发的新感知模式和审美范式;第三部分比较这两部作品的异同。
Two short stories by Austrian modernist,Hugo von Hofmannsthal,were analyzed in this essay.A study of “The Paintings”（1891）reveals how the time period and the viewer’s location can influence perception of art.The tense relationship between drawing and writing,along with that between content and painting titles are discussed as well.The analysis of “One Letter”（1 902）reveals the crisis of language and perception,and the resulting new perspective and aesthetic paradigm. Besides,a comparison between the two works is also presented.
出处
《同济大学学报（社会科学版）》
CSSCI
北大核心
2014年第2期16-23,共8页
Journal of Tongji University:Social Science Edition
基金
上海外国语大学青年教师创新团队(项目编号:QJTD11YJ001)
上海市"浦江人才"计划(项目编号:12PJC016)
