以体认为中心以感知觉过程为基础的音乐审美经验——传统音乐审美研究随想

Music Aesthetic Experience Centered on Physical Realization and Based on Sensory Perception

本文为2013年11月"南京·音乐美学笔会"发言稿。本文认为,当下传统音乐美学研究有必要以体认的方式进入中国传统音乐的现实,藉此获得美感及经验。关注身体、体认、感知觉范畴的深刻认识,是我们对文化传统、对文化变迁、对不同的人的"乐感"进行研究的重要材料,更是我们考察民族审美经验变迁乃至中国传统音乐美学理论研究的基础性材料。我们虽然可以借鉴很多西方美学的概念和理论来研究中国音乐美学、研究中国音乐感知觉,但对于文化当事人的文化理解及基于这种文化理解的母语化表述更形重要。

It is necessary for the current research on music aesthetics to enter the reality of Chinese traditional music by way of physical realization in order to gain the sense of beauty and experience. Paying attention to our body and physical realization, and deep appreciation of sensory perception are important methods of conducting research on our cultural tradition and vicissitude and people's musicality. It is also a fundamental element in investigating the change of our national aesthetic experience and studying the theory of the Chinese traditional music aesthetics. We may borrow the concept and theory of Western aesthetics to aid our research, it is, however, more important to understand the Chinese culture expressed through its mother tongue.