摘要
"自然乐论"是道家音乐美学思想的核心。针对音乐学界对此理解的某些窄化,本文从现象学的"意向性"视域,把"自然乐论"中的"自然"分解为三种不同的层递:即认知心理意义上的意向性"物象自然"、情感审美意义上的意向性"意象自然"、精神境界意义上的意向性"道象自然",及其不同意向性"自然"的音乐呈现。力求从生命本体意识去理解并回到"自然"或现象学意义上的"事情本身"。
'Natural Music Philosophy' is the core of the music aesthetics of Taoism. This essay, aimed at the narrow understanding of the before-mentioned from the musicological circle, intends to use the viewpoint of phenomenology's 'intentionality' to divide 'nature' inside the 'Natural Music Philosophy' into three different layers, i.e. 'nature in object image' in cognitive psychological intentionality, 'nature in subject image' in emotional aesthetic intentionality, and 'nature in Taoist image' in spiritual intentionality. It strives to understand the 'nature' by way of consciousness of the life ontology.
出处
《南京艺术学院学报(音乐与表演版)》
2014年第1期15-19,165,共5页
Journal of Nanjing Arts Institute:Music & Performance
关键词
道家
自然乐论
自然
现象学
Taoism,Natural Music Philosophy,nature,phenomenology