论志贺直哉《学徒之神》的人道主义

On Siganaoya's Humanism from The Deity Of The Apprentice

志贺直哉(1883-1971)是日本大正年间(1912-1926)雄踞文坛之首的著名作家,其小说的一个重要主题是避免矛盾的激化,寻求和谐,寻求表面上的平安无事。这一调和思想和他的人道主义是有矛盾的,一个重在调和,一个重在改变,然而两者却能完美结合,构成独特的志贺文学。通过《学徒之神》,便能充分了解志贺重在调和的文学特色,也能体会在当时日本社会环境下,一个有良心的作家的矛盾与苦恼。

Siganaoya （1883-1971） is a famous wr/ter who topped literary world during the Period of Dazheng （1912-1926） in Japan, and one important theme of his novel is to avoid conflict, to pursue harmony and to pretend peace. The thought and his humanism is a couple of contradiction that one focuses on harmony, and the other focuses on change, but they can be the perfect combination, constituting a unique style. Through The Deity Of The Apprentice, we can totally understand his literature features of reconciling and realize the contradiction and agony from a conscientious writer under the circumstances of Japan that time.