摘要
东晋永和九年上巳节,王羲之等人在兰亭雅集,留下了两篇序文和37首兰亭诗。如果从后代传播效果上看,兰亭在不断的传播过程中,逐渐形成了文人雅集的经典范式;雅化了上巳习俗的文化内容;作为一个独特的文化符号与意象,兰亭也成为后世文人浪漫的文化记忆。而王羲之《兰亭集序》行云流水、令人叹为观止的书法则加速了兰亭雅集的文化传播。
In Shangsi festival of Yonghe ninth in the Eastern Jin Dynasty, Wang Xizhi and others joined LanTing elegant meetings, after that two prefaces and 37 poems reserved. With considering communication effect afterward, classic model of elegant meetings gradually formed in LanTing communication process, and the Shangsi festival consuetudinary culture aspect also became artistic. As distinctive culture denotation and imago, Lanting also became afterward' s romatic culture memory. Natural, smooth and amazing writing of " Lanting Pavilion" by Wang Xizhi also improve communication of LanTing elegant meetings.
出处
《阜阳师范学院学报(社会科学版)》
2014年第3期142-146,共5页
Journal of Fuyang Normal University:Social Science Edition
基金
安徽省高校省级社科项目"传播学视野下的兰亭集研究"(2011sk066)
安徽师范大学科研培育基金资助"魏晋南北朝文学与绘画"(2013xmpy06)
关键词
兰亭
文人雅集
上巳
意象
兰亭序帖
LanTing
scholars get together
ShangSi festival
imagery
" Lanting Pavilion" post sequence