摘要
宁波美术馆收藏的何永坤版画《哀牢春晓》,表现了地处哀牢山区少数民族同胞的日常生活场景,反映了联产承包责任制给农村带来的生机勃勃的春天。作品在整体构图上呈现出明快清秀、活泼精致的总体风格,运用绘画语言生动而深刻地表现了少数民族同胞对改革开放发自内心的拥护。透过富有意味的表现形式,充分显示了作品所蕴涵的丰富深邃的思想内容和情感诉求,让人清晰地感受到作者对于中国艺术精神和美学原则的继承和发扬,尤其是在意境的创造中所表现出来的创新自觉。重新细读这一作品,对于全面深化改革的今天,仍然就有十分重要的启迪意义。
Mr. He Yongkun’s print Ailao’s Spring Dawn, collected by Ningbo Art Gallery, reflects the daily life of Ailao minority people and the fruitful spring brought by the rural household contract responsibility system. The composition of the Work presents a lively delicate and pretty feature and displays the minority people’s support for reform and opening up policy. Through the meaningful manifestation the work fully delivers the profound thoughts and emotions. It makes us feel clearly the artist’s inheritance and development of Chinese art spirit and aesthetic principle, especially his innovation awareness expressed by the work’s conception creation.
出处
《宁波职业技术学院学报》
2014年第2期57-60,共4页
Journal of Ningbo Polytechnic
关键词
何永坤
版画
《哀牢春晓》
艺术特色
He Yongkun
print
Ailao’s Spring Dawn
artistic features