从阿炳到刘天华——音乐传播视阈下的中国民族器乐发展

From Ah Bing to Liu Tianhua——The Development of Chinese National Instrumental Music under the Perspective of Music Spread

作为中国近现代音乐史上杰出的两位作曲家,阿炳与刘天华以各自非凡的艺术造诣有力推进了近现代民族器乐创作的发展。虽然他们二人一位栖身民间城镇,一位身处现代都市,但均呈现出民族音乐创作经由城镇到城市传承及传播的历史演化进程。论文由此深入探寻二人器乐作品两种迥然不同的传播路径,认为这两种音乐传播方式均较好完成了他们作品民族器乐作品经典化的塑造。结论认为,这一个案研究对于目前学界理解当代音乐传播对于中国民族器乐发展的意义有着重要的启示。

Ah Bing and Liu Tianhua, as the most prominent music composers in the history of Chinese modern times, strongly promote the development of national instrument music creation by their special artistic attainments. Although one of them lives in little town, the other lives in the modern city, both of them present their evolution process of national music creation from the town to the city. This article tries to further explore the different spreading path in their instrumental music works and considers the two music spreading methods well complete their music shaping. It is concluded that the case study has an important enlightenment for the academic world to understand the significance of the modern music spreading on the Chinese national music development.