摘要
以2013年上映的两部讲述白宫陷落的影片《奥林匹斯陷落》和《惊天危机》为例,探讨好莱坞模式叙事电影中的普通情感。电影中的情感,首先,从方法论的角度,排除了非认知的无意识情感,确立了我们在电影理论常态化的建构中所需要的认知情感,其次,从预置文本的适宜性标准入手,构建电影有意识的认知情感的格式塔完形;再次,在电影符号学的框架下,引入预留态度和预置文本匹配的机制,建立一个基于组合段的树型结构;最后,作为对模型的补充和完善,对如何萃取影像传播中占据统治地位的认知情感做出建议和预测。
Based on the analysis of two 2013 movies about fall of the White House——“Olympus Has Fall- en” and “White House Down,” this paper explores the feelings and emotions depicted in Hollywood narrative films. In view of function, we have excluded the non-cognitive and unconscious emotions, and have focused on the cognitive emotions which are essential to the film theory construction. In addition, we have constructed the "gestalt" of conscious cognitive emotions by looking into the suitability of the preset text. Then, within the framework of film semiology, a mechanism of matching the preset attitude and the preset text is introduced to construct a tree structure based on the combination of segments. Finally, as a supplement to the model, the pa- per gives suggestion and prediction to the extraction of cognitive emotions that are dominant in image communication.
出处
《上海大学学报(社会科学版)》
CSSCI
北大核心
2014年第3期61-70,共10页
Journal of Shanghai University(Social Sciences Edition)
关键词
认知情感
适宜性标准
预置文本
预留态度
递归模型
Cognitive emotion
criteria of suitability
preset text
preset attitude
recursive model