新时期文艺学研究与“新三论”

The “Three New Theories” and the Theories of Literature and Art Since 1980s

在20世纪80年代的"方法论热"中,文艺学界在引入"老三论"(系统论、信息论、控制论)之后不久即引入了"新三论"(耗散结构、协同论、突变论),使得新老三论呈现出一种特殊的并置。正是因为这一并置,学界在对"方法论热"所进行的反思性研究中,"新三论"在大多数情况下处于一种被遮蔽的状态。本文对"新三论"的具体情况进行了分析,指出文艺学引入"新三论"所取得的主要成果是:突破了美的静态的、固定的本质,使美及审美成为一种历史化的存在;建立了以创新为主导的开放的、动态发展的文学观。

This paper aims at proposing the contributions of the ＂three new theories＂ （dissipative structure,synergetics and catastrophe theory） to the theories of literature and art. First, beauty has become an opensystem and is ever changing with the development of the society. Second, the literature and art are treatedas open, dynamic and developing systems driven by innovation.