摘要
儒学的无神论观念限定了中国神学体系的发育,儒学的静养哲学亦遏制了中国舞蹈业的发展。义和团的请神附体上法仪式担负起短时期、大范围内为民众造神的任务。义和团的巫术表演对中国巫术舞蹈业的发展做出了贡献,其所引发的巫术舞蹈的普及、推广和革新工作影响甚大。义和团巫舞直接借鉴了中国传统戏曲和民间巫术的表演传统,并引起晚清巫术舞蹈业的兴起。晚清高层权力的剧烈变更触动了义和团选神制度的勃兴,义和团在公共空间动作感强烈的团队表演现象,不仅象征性地张显了权威,亦完成了整个帝制时代最后一次巫术舞蹈的复兴运动。
The atheism concept in Confucianism limited the growth of China's theological system, and the resting philosophy in Confucianism also restrained the development of China's dance industry. The boxers" God- inviting ceremony took on the task of God-making for people in a short period and a wide range. The boxers" witchcraft shows made a contribution to the development of China's witchcraft dances, and its influence was tremendous for the dance industry's popularization, promotion and innovation. The boxers" witchcraft dances directly borrowed from Chinese traditional opera and the traditions in folk witchcraft performances, and it also led to the rise of witchcraft dance industry in late Qing dynasty. The dramatic changes of the senior power in late Qing dynasty inspired the flourish of boxers" God-choosing system, and the strong sense of action in their team performances in public space not only symbolically showed the authority, but also completed the revival movement of the last witchcraft dances in the whole monarchy era.
出处
《江南大学学报(人文社会科学版)》
2014年第3期51-61,共11页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
义和团
武术机制
巫舞运动
代神表演
权威彰显
The boxers
Martial arts mechanism
Witchcraft dance movement
God performance
Authority shown