摘要
谣谚虽多被看作民间通俗文化,但其艺术属性并没有严格的阶级之分。汉代谣谚文化较为兴盛,其创作或传播亦没有严格的阶级界限,同阶级并各阶级间都有流传。汉代谣谚文化除主要靠口耳相传外,亦诉诸于文字。文字传播中,除书面传播外,尚有碑刻和题壁。随着汉代谣谚艺术流传渐久,绝大多数谣谚作品都发生了变异:或量变,或质变。
Although many proverbs are regarded as folk pop culture, its artistic properties are not strictly distinguished according to classes. The ballad culture was prosperous in the Han dynasty. Besides, the creation and communication of the ballad were not strictly restricted among classes. Therefore, the ballad was popular among people, whether they belong to the same class or not. The ballad in the Han Dynasty was mainly communicated through oral ways. Moreover, it is also communicated through written text. In addition to word spread, there were also inscriptions and writings on the wall. With the ballad spreads of the Han Dynasty for such a long time, the vast majority of them are changed, whether quantitative, qualitative.
出处
《江南大学学报(人文社会科学版)》
2014年第3期122-128,共7页
Journal of Jiangnan University:Humanities & Social Sciences Edition
关键词
汉代
谣谚
传播
载体
变异
Han Dynasty
Ballad
Communication
Carrier
Change