文化全球化时代中关于译者主体性的认知诗学思考——基于“可能世界理论”视角

Cognitive Poetics Reflection on the Translator's Subjectivity in the Cultural Globalization Based on Possible World Theory

认知诗学作为一个新的、发展中的领域,其学科理论到底是一种文学理论,抑或仅仅是一种分析方法,在学界有待更深入的思考和探索。在新的探索中,坚持多元与统一的辩证法是很有必要的。本文试图运用认知诗学中的可能世界理论分析文化全球化时代中的译者主体性在"中国文化走出去"时所能实现文化多元化的可能世界,并通过视域融合和阐释两个策略实现可能世界之间的连接与通达,使全球的文化世界既具有史诗般的宏大和丰富思想蕴涵,又显著体现语言文化的多元性与统一性。

Cognitive Poetics is so newly developed that it is supposed to go further as a literary theory or an approach of analysis. Nevertheless, pluralization and unification is a sound perspective in the latest study. The paper explores the translator＇ s subjectivity in the cultural globalization perceived in Possible World Theory from Cognitive Poetics, which renders culturally possible worlds in Chinese culture popularization in the world. Both the fusion of Horizon and Hermeneutics will facilitate the inter-communication of possible worlds, hence the epic grandeur and abundant implication, as well as pluralization and unification linguistically and culturally.