摘要
审美主义的内涵及其在西方现代美学中的两种路径,即感性的、主体性的审美主义和主体间性的审美主义。最后,笔者对中国现代存在审美主义这一观点提出了质疑,对刘小枫先生《现代性社会理论绪论》中关于中国审美主义的一些说法进行了商榷,并鲜明地指出了中国现代美学的启蒙主义性质。
In the paper, the author discusses the meaning of aestheticism in details and its two paths in the modem western aesthetics, namely, emotional and subjective aestheticism and inter- subjective aestheticism. Then, the author questions the view of Modem aestheticism, discusses some statements on Chinese aestheticism proposed by Professor LILT Xiao- feng in his work Introduction to Social Theory of Modernity, and reveals the nature of enlightenment on modem Chinese aesthetics.
基金
2010年度广州大学青年博士专项课题"地方性诗学知识的现代性维度"(项目编号:20100617)
关键词
审美主义
感性
主体间性
现代汉语审美主义
启蒙主义
aestheticism
emotional
inter - subjectivity
modem Chinese aestheticism
enlightenment