摘要
神话作为先民想象的产物,成为后代作家创作的素材,不同时代的作家都在进行着重写。在中国现代小说中,对奔月神话产生了祛魅型重写神话、解释型重写神话和创造型重写神话三种类型。重写文本不仅富于反讽结构张力,本身也成了被重写的文本。
As the imagination of our ancestors ,myths have become the creation resources for w riters of later generations ,writers of different times also rewrite the myths .In modern Chinese novels ,there have been three types of rew riting of the myth "flying to the moon",that is :the disenchantment rew riting ,the explanatory rewriting and the creative rewriting .The rewritten texts not only contain the structural tension of irony but also have become the resources for continous rew riting .
出处
《安徽广播电视大学学报》
2014年第2期112-115,共4页
Journal of Anhui Radio & TV University
关键词
神话
嫦娥奔月
重写
myth
goddess Chang's flying to the moon
rew rite