摘要
同一个七律(均)与"闰、和、宫、徵、商、羽、角、变宫、变徵"(九声)结合,形成三种七声音阶形态,这就是"同均三宫"原理的基本内涵。非"同均三宫"论将律与声的绝对统一,误解为律等于声、均等于宫、音列等于音阶,以此否定"律声系统"所形成的各种"宫调学"原理。其学术思想和学术行为有悖哲理,是真正的假象和错觉。
he same qi-lv （yun） and ＂run, he, gong, zhi, shang, yu, jiao, biangong,bianzhi＂ nine sounds） can form three kinds of heptatonic scale formation, i.e. the basic idea of ＂tongyunsangong＂ principle. Non-＂tongyunsangong＂ theory misunderstands the absolute unity of lv arid sheng and thinks lv equals sheng, yun equals gong, tone row equals scale so as to negate ＂gong-diao prificiple＂ derived from ＂lv-sheng system＂. Its academic idea andbehavior arc contrary to philosophy and belong to real illusion and delusion.
出处
《乐府新声（沈阳音乐学院学报）》
2014年第2期75-81,共7页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
教育部人文社会科学规划基金项目<黄翔鹏"宫调学"理论体系研究>(课题批准文号:12YJA760039)的主要成果之一
关键词
非“同均三宫”论
律与声
均与宫
音列与音阶
假象和错觉
non-＂tongyunsangong＂ theory
lv and sheng
yun and gong
tone row and scale
illusion and delusion
