摘要
当代报告文学写作中存在着一种女性主义写作道路:自觉的性别意识,积极的介入姿态,合理的想象,别样的笔致,注重情感真实,关注偶然事件;她们营造"在路上"的现场感,读者会随作者的游走与沉思产生一种身临其境的代入感。这类由女性作家创作的人性化、体验型、介入式的报告文学,可称之为"柔性报告文学",它打破了男性写作的英雄化、灌输型、预言式的"刚性报告文学"的单调模式。"柔性报告文学"与"刚性报告文学"优势互补,并从一个侧面显现出20世纪中国女性解放的道路,因而具有文学史与社会学史的双重意义。
In contemporary reportage writing, there is a feminist writing way: they have specific gender consciousness, positive attitude to intervention, moderate imagination, pay attention to emotional truth, focus on the accident; They create a felling of"on the road", readers can follow the author's meditation and have the sense of "on scene". So these writings can be called "Flexible Reportage", while the male writings be called "Rigid Reportage"."Flexible Reportage" has a double meaning in literary history and sociological history.
出处
《齐鲁师范学院学报》
2014年第3期109-114,共6页
Journal of Qilu Normal University