青主、黄自、谭小麟古诗词艺术歌曲的演唱处理

The Singing Theories of Qingzhu, Huangzi and Tan Xiaolin on the Chinese Ancient Poetry Songs

通过四个方面分析了青主、黄自、谭小麟古诗词艺术歌曲的演唱处理:一是对歌曲"依字行腔"的词曲处理关系的分析,进一步论述歌唱中对咬字吐字的要求;二是根据古诗词艺术歌曲中的"吟诵调"特点来论述如何把握歌唱时的情感;三是通过对歌曲民族化旋律风格的分析进而论述如何把握歌唱时对音色、音量的要求;四是对通过"精雕细琢"的钢琴伴奏以及歌唱时如何与钢琴伴奏完美融合的分析。

This paper analyzes the singing theories of Qingzhu, Huangzi and Tan xiaolin on the Chinese ancient poetry songs. To achieve that, we focus on the following four issues： First, based on the relationship between the poetry and music score, we discuss how to deal with the pronunciation during the singing. Second, according to the recitative feature of the ancient poetry songs, we study how to properly express the emotion when singing. Furthermore, through the analysis on the melodic style of Chinese ancient poetry songs, we deliver the demands of tone and volume of singing. Finally, we tackle with the tone harmoniousness between the vocal and piano.