摘要
梁楷的减笔人物画,笔墨酣畅,造型简洁,深受禅宗思想的影响。梁楷的减笔人物画是对"笔"(线条)表现力的强化,体现了人物画风格的创新,以简洁的笔墨将人物的精神传达出来,达到"笔简神具"的效果,推动了宋元以来写意人物画的发展。明清时期,对这种风格加以改造,直接导入写意画的道理,形成中国人物画的主要风格。
Liang Kai' s Stick Figure Paintings were used much ink freely and the shapes were brief which were influenced by Zen thoughts deeply. Liang Kai' s Stick Figure Paintings were intensified by the expression of the "pen" (stick), reflecting the innovation of the stick figure paintings' style, and they delivered the spirits of the figures by using brief ink, then they achieved the effects of "brief stick but full spirit" , which promoted the development of the artworks figure paintings since Song and Yuan Dynasty. During Ming and Qing Dynasty, artists transformed his style and led the idea of artworks paintings, then the main style of Chinese figure paintings formed.
出处
《齐鲁师范学院学报》
2014年第3期141-144,共4页
Journal of Qilu Normal University
关键词
梁楷
减笔人物画
影响
Liang Kai
Stick Figure Paintings
Influence