女性身份的文化反省——论铁凝中篇小说“三垛”

Cultural Introspection into Female Identity——On “Three Stacks” by Tie Ning

以铁凝在上世纪八十年代中后期和九十年代中后期创作的三部中篇小说"三垛"《麦秸垛》(1986年)、《棉花垛》(1989年)和《青草垛》(1996年)为文本研究的对象,以八十年代中期勃兴的文化与文化寻根热为切入点,把作品中的女性形象置于中国传统文化和九十年代商品经济发展的大坐标系中,从而探讨女性与世界的关系,女性与男性的关系及女性与女性的关系,肯定了"性爱"的美好,"母性"的伟大,揭示了中国传统文化对女性人性的压抑和扭曲。同时,向我们提出了这样一个问题:女性的本原性问题。

The article makes a study of the texts of the three novels, ＂Wheat Stacks＂ in 1986, ＂Cotton Stacks in 1989 and ＂Green Grass Stacks＂ written by Tie Ning during the mid-late period of the 80＇s and the mid-late period of the 90＇s. Beginning from the flourishing culture and cultural roots during the mid eighties, it puts the female images in her writings into Chinese traditional culture and the development of commodity economy in the 90＇s to explore the relationship between women and the world, between women and men and between women and women and affirm the beauty of sex and the greatness of maternal love and reveal the suppression and distortion of Chinese traditional culture to women＇s humanity. At the same time, it poses us the question of the primitiveness of women.