空间转向与中国美学方法论转型

Spatial Transfer and Transformation of Chinese Aesthetic Methodology

20世纪以来的空间转向对当代的学术思想产生重要影响,并主要呈现出两个维度的理论取向。一方面,空间转向延展了不同学科和领域的研究内容;另一方面,空间转向呼应了现象学、存在主义等人本主义思潮,以体验的方式实现对主体心灵"第三空间"的追寻。同时,因为空间理论的主体性、自由性、体验性和学科互涉性,空间理论与美学理论出现了交叉渗透的景象,在二者的互动阐释中生发出崭新的空间美学。空间转向和空间美学直接促使中国现代美学研究范式的转换和方法论原则的调整,经由"体验"为核心的基本原则到"同情"的主体间性价值,再以"反思"实现美学的升华,构建出"体验—同情—反思"的美学方法论。

The spatial transfer of the 20th century has the important influence on the contemporary academic thinking ,presenting two theoretical orientations of dimensions .On the one hand ,the space turn has extended different disciplines and research patterns .On the other ,it has echoed humanism ideology of phenomenology , existentialism ,etc ,in the form of experience for the main body of the soul “third space”.Meanwhile ,because of the subjectivity ,freedom ,mutual sexual experience and disciplines of space theory ,there is cross penetra-tion between space theory and aesthetic theory ,and in the interactive interpretation a novel space aesthetics has been created .Spatial transfer and space aesthetics directly contribute to the transformation of research para-digm of the Chinese modern aesthetics and the adjustment of methodological principles ,through the basic prin-ciples of “experience” as the core to the intersubjectivity value of “sympathy”,to achieve the sublimation of aesthetics “reflection” ,building the aesthetic methodology of “experience-sympathy-reflections” .